We represent a small roster of creators and sell them into brands that do not answer cold outreach. You film once. Our studio turns it into a full campaign, and paid budget carries it to audiences your following could never reach on its own.
Creators on the roster get a dashboard instead of a group chat. What is booked, what is owed, what each deliverable returned, and what the next brief pays — visible without asking anyone.
Interface preview. Brand names, figures and charts on this dashboard are illustrative and shown to demonstrate what the account looks like once you are on the roster.
A traditional brand deal ends when you post. Ours starts there. The same footage keeps producing assets, and the brand keeps paying to distribute them.
Real deliverables from our studio. You shoot the raw material; these are the cuts that get sent to the brand and put behind paid budget.
Most creators leave money on the table because the business side is exhausting, not because their content is weak. We run the business side as a service.
You stop guessing at numbers and stop being talked down. We hold the fee conversation using performance data from your own past campaigns.
Higher feesYour midnight editing sessions end. Send us the raw footage, receive finished cuts for every platform the campaign runs on.
Time backOne shoot becomes dozens of versions. Different hooks, backgrounds and languages, tested against each other so the winner gets the budget.
More outputYou stop pitching. We sell your profile into accounts that already contract with us, which is why they answer.
Better brandsRevisions, approvals, chasing, awkward emails about scope. That whole conversation stops reaching you.
Less adminDelivery dates, product shipping, approvals and reminders are managed on our side, so nothing lands on you unannounced.
No chasingBrands put media budget behind your work. Your content reaches audiences that were never going to find you organically.
Real reachA creator whose audience is growing is worth more on every future brief, so growing yours is directly in our interest.
Audience growthUsage windows, whitelisting, exclusivity of the deliverable, payment structure. All stated in the brief before you accept.
No surprisesThis is the part brands pay a premium for, and the reason a TNX creator earns more per filming day than the same creator working alone. You film once. The system does the multiplying.
One shoot, one deliverable, one payment, one week of relevance.
One shoot, a full campaign, paid distribution, and a library that keeps earning.
You run two paid campaigns with us before anything is signed. That is deliberate. It lets you see the briefs we write, the edits our studio sends back, how fast we answer and what we actually pay — while you stay completely free.
If both sides want to continue after that, we ask for exclusivity. Not to restrict you: because we actively sell you. When we walk into a brand and put your name forward, that brand is buying our word that you will deliver, on time, at the standard we promised. Reliability is what we are selling, and it only holds if we control the calendar we are quoting from. The more available you are to us, the harder we push you.
How a campaign actually runs, end to end. Brand names are illustrative; the structure and the numbers reflect how we scope and deliver.
One creator, one afternoon of filming in her own bathroom. Our studio cut it into a full campaign and Meta budget carried the best-performing hook to a cold audience for six weeks.
Two creators filmed try-on content at home against a shot list we wrote. No studio, no crew, no photographer. Assets were live on drop day across four channels.
A reviewer on the roster filmed one desk session. We built a spec-led cut for each platform and ran comparison carousels against warm traffic that had already bounced once.
Every creator on the roster has a profile brands can read: category, audience, formats they are strong in, and what their last campaigns returned. This is how talent gets sold properly.
Sample profiles. These cards show the format of a roster profile. Real creator profiles are shared with brands under NDA.
Send your handle and the categories you work in. It takes two minutes and a person reads it.
We look at audience composition, saves and shares, and whether brands are currently paying in your category. Then a short call about rates and calendar.
Real brands, real fees, nothing signed. You judge the briefs, the edits, the payment and how fast we answer.
If the work was good on both sides, we move to a roster agreement. If not, you keep the fees and leave with the assets.
Dashboard access, a named manager, monthly calls, managed rates and continuous campaign flow.
I stopped negotiating with brands every week.
I finally receive proper briefs. Hook, shot list, what not to say. I know what good looks like before I press record.
My best videos now keep generating income months after I filmed them.
I spend my time filming instead of chasing invoices.
The edits come back better than what I would have made myself. That was the part that surprised me.
The brands are a level above what I could reach on my own.
Representative quotes. These reflect the feedback themes we hear from creators. Attributed testimonials will replace them as the roster grows.
We would rather represent forty creators properly than list four hundred badly. If your audience is sharp and your category is one brands are paying for, we want to see it.
Reply within 24h · Two paid campaigns before anything is signed · Bucharest, Romania